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BUIE HARWOODBRIDGET MAYCURT SHERMAN

An Integrated History to the Present

Chapter 27
Directoire, French Empire
1789 – 1815

Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

J. LATE NEOCLASSICAL

Begins in France, c. 1790, simpler image inspired more by ancient Greece than ancient Rome

Result of scholarship & archaeology

Designers strive for archaeological correctness

  • Copy or adapt ancient elements in architecture, interiors & furnishings

Neoclassicism aligns with new, more democratic forms of government

  • Favored for government buildings

New inventions & mass production bring changes in architecture, interiors, and furnishing during the period

Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

Directoire, French Empire

Neoclassicism dominates period

  • Evolves & responds to political & social developments

Interiors & furniture, more than architecture, display styles

Simple, plain Directoire evolves into heavier, more majestic Empire

Architect-designers, Charles Percier & Pierre-François-Léonard Fontaine, create Empire

  • Dictated by Napoleon Bonaparte, Emperor of France

Empire glorifies Emperor Napoleon I

  • Creates heroic vision though grandeur, military images, & Roman Imperial motifs.

Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

CONCEPTS

Neoclassicism dominates architecture

Three styles define interiors & furnishings

  • All Neoclassical & reflect climates of their day

Directoire (1789-1799) links Louis XVI & Empire

  • Plainer, more Grecian, & closer imitation of classical antiquity

Consulate (1799-1804) introduces Imperial Roman & Egyptian influences

  • Reflects Napoleon’s military conquests & early reign
  • More formal, monumental, increased ornament

Empire (1904-1815) glorifies Napoleon I & his empire

  • Heroic image for emperor who earned right to rule

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

MOTIFS

Classical motifs common through 1815

  • Classical figures, acanthus leaf, swag, rinceau, rosette, anthemion, arabesque, vase, lyre

Directoire: lozenges, rosettes, spirals

  • Symbols of Revolution: oak leaf, clasped hands

Consulate & Empire:

  • Roman motifs: animal legs, swans caryatids, monopodia
  • Military symbols: stars, spears, swords, helmets
  • Egyptian motifs after 1799: sphinxes, obelisks
  • Napoleonic symbols: honeybee, laurel wreath, N

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-1. Détails et adjustements tirès de L’Atélier de Peinture du C. I., c. 1827; Charles Percier and Pierre-François-Léonard Fontaine. French Empire.

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

ARCHITECTURE

Most building activity after 1790s

  • Mainly renovations of residences & government buildings

Designers & architects study, measure, draw, & publish information about ancient structures

  • Subsequently become models for new buildings

Architectural theory emphasizes form and structure over ornament, and education centers on ancient models

Bold, stylistically unadventurous

  • Grecian plainness & geometric forms dominate
  • Some Roman or Egyptian attributes & motifs

Napoleon’s personal commissions for restorations & enlarging palaces and other residences

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-2. Arc de Triomphe de l’Etoile, c. 1808–1836; Paris, France; J.-F.-T. Chalgrin. French Empire.

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-4. La Madeleine and floor plan; 1804-1849; Paris, France; Pierre Vignon and interiors by J.-J.-M. Huvé. French Empire.

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-5. Rue de Rivoli, 1802–1855; Paris, France; Charles Percier and Pierre-François-Léonard Fontaine. French Empire

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

INTERIORS

Classical attributes & motifs from Greece, Rome, & Egypt

Evolve from light & delicate to majestic & pompous

  • Pompeiian-style wall decorations common in all

Directoire: continues scale & treatments of last years of Louis XVI

  • More simplicity, muted colors, more delicate decoration, & additional antique details.

Empire: masculine, formal, & richly detailed

  • Classical decorations, rich colors, & large, formal furniture arranged around the walls

Percier & Fontaine create Empire

  • Design all elements in a room for unity

Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-6. La Salle du Trone á Napoleon (throne room of Napoleon), Palais de Fontainebleau, c.1800; Fontainebleau, France. French Empire.

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-7. Salle de Conseil (Council Chamber), Château de la Malmaison, c.1800; near Paris, France; Charles Percier and Pierre-François-Léonard Fontaine. French Empire.

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-7. Cabinet de travail-bibliothéque (library), Château de la Malmaison, near Paris, France. Library published in Recueil de décorations intérieures, 1812, 1827. French Empire.

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

26-9. Lit éxécuté à Paris, c. 1827; Paris, France; Charles Percier and Pierre-François-Leonard Fontaine; published in Recueil de décorations intérieures, 1812, 1827. French Empire.

Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-9. Wallpaper: Panel from “Psyche and Cupid,” 1814; France; Dufour. French Empire.

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-10. Window Treatments: Wallpaper showing drapery treatment and actual draperies, c. 1815–1820s. French Empire.

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-11. Textiles: Upholstery with period motifs; France. French Empire.

Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-12. Lighting: Candelabra, hanging lamp, and guéridon, c. early 1800s. French Empire

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

FURNISHINGS & DECORATIVE ARTS

Classical attributes, forms, & motifs

  • Inspired by Pompeii, ancient vase paintings, & stucco reliefs
  • Copy & adapt ancient Greek & Roman furniture

Directoire: slender proportions, greater severity, angularity

  • Rolled-over backs, saber legs

Consulate: heavier in scale, more gilding & ornament

  • Egyptian motifs & characteristics of Empire

Empire: classical & architectonic

  • Masculine, stiff, & majestic & design supersedes comfort
  • Blocky, sharp corners, little applied ornament

Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-13. Fauteuil, c. 1800, Paris, France; Charles Percier and Pierre-François-Leonard Fontaine; published in Recueil de décorations intérieures, 1812, 1827. French Empire.

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-14. Bergère with swans, c. early 1800s; France. French Empire

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-15. Fauteuils, tabourets, candelabra, côté du tabouret, petit pendule, and table, c. 1800; Paris area, France; by Charles Percier and Pierre-François-Léonard Fontaine; published in Recueil de décorations intérieures, 1812, 1827. French Empire.

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-16. Canapé, c. 1790s–1810s; France. French Empire.

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-17. Round table with pedestal base and animal legs, c. early 1800s; France. French Empire.

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-19. Commode with ormolu decoration, c. 1800-1820s; France.

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-20. Lit, Chambre a Coucher de l’Impératrice (Josephine’s bedroom), Château de la Malmaison, c. 1800; Paris, France; Charles Percier and Pierre-François-Léonard Fontaine. French Empire.

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Chapter 27: Directoire, French Empire  27.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

27-21. Lit en acajou garni de cuivres dorés (bed in mahogany with gilded bronze appliqués), c. early 1800s; France. French Empire.

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