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BUIE HARWOODBRIDGET MAYCURT SHERMAN

An Integrated History to the Present

Chapter 23
Louis XVI and French Provincial
1774 – 1789

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

H. EARLY NEOCLASSICAL

Renewed interest in classical antiquity

  • International style begins in Rome, 1740s

Outgrowth of scholarship & archaeology, reaction to Rococo

  • Strong theoretical base

Tries to imitate or evoke images of Ancient Greece & Rome

Regards antiquity differently than before

  • Divides it into different periods & styles with different visual characteristics
  • Uses various traits to solve present design problems

Main impetus—excavations at Pompeii & Herculaneum

  • Fills gap in classical knowledge—domestic interiors

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

Louis XVI and French Provincial

Louis XVI returns to classicism

  • Rejection of Rococo
  • Response to interest in Classical antiquity

Architecture

  • Severe & monumental or graceful & elegant

Interiors, furniture, decorative arts

  • Maintain charm & scale of Rococo
  • Lines straighten, free-for curves become geometric, ornament again from Antiquity

French Provincial—architecture, interiors, furnishings of middle class and peasants

  • Simplified high styles with emphasis on function

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

CONCEPTS

In 1730s, critics attack Rococo for its artificiality & lack of classical order

  • Symptomatic of depraved society
  • Call for classicism that is rational, truthful, natural or derived from nature based upon ideas of Enlightenment
  • Insist that association with ideal architecture of Antiquity will engender exemplary French citizens

Unsettled times create desire for stability seen in order, repose, & other classical attributes

Pompeii & Herculaneum inspire renewed interest in classical past

  • Architects study ancient buildings & publish findings, giving Neoclassicism a sound theoretical base

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

CHARACTERISTICS AND MOTIFS

Light scale, rational planning, mathematical proportions, straight lines, geometric forms

Classical attributes, forms, & details in architecture, interiors, furniture

  • Called goût grec or goût arabesque

Motifs—Greek, Roman, Etruscan, Egyptian sources; garlands, swags, frets, palmettes, classical figures, urns, sphinxes, balloons after first successful balloon flight in 1783

  • Some Rococo motifs, themes continue—flowers, bouquets of flowers, shepherds, shepherdesses, farm tools, musical instruments, Chinoiserie, singerie

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

23-1. Motifs: Vase in porcelaine dure de Sèvres; decorated by Boizot and Thomire; designs for marquetry panel vignettes, c. late 18th century; by Pierre-Gabriel Bethault. Louis XVI.

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

ARCHITECTURE

Had never completely rejected classical influences

Product of rationalist views of architects

  • Geometric volumes, structural honesty, simplicity

Block-like structures with plain facades, minimal ornament

Scale—monumental to elegant & refined; proportions from ancient sources

Classical attributes give dignity, grandeur

More archaeologically correct than before

  • First-hand study, publications

Assemblages of ancient motifs & some exact quotations of ancient buildings

  • Result is clearly contemporary, not ancient

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

*23-2a. S. Geneviève (Panthéon), 1757-1790; Paris, France; Jacques-Germain Soufflot. Louis XVI. *Substitute image.

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

23-2b. S. Geneviève (Panthéon), central crossing with dome, 1757-1790; Paris, France; Jacques-Germain Soufflot. Louis XVI.

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

Classical balustrade at roof

Plain stone facade

Corinthian columns

Small scale, rectangular box

French Doors

Classical balustrade at terrace

Planned garden

Symmetry

*23-3a. Petit Trianon, 1761-1764; Versailles, France; Ange-Jacques Gabriel. Louis XVI. *[Substitute image]

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

23-3. Le Hameau, c. 1774-1783; Versailles, France; Richard Mique. Louis XVI.

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

INTERIORS

Return to classicism in attributes & decoration

  • Layout, modes of living remain same

Aristocracy still seeking luxury, comfort, pleasure

  • Some try the (perceived) simplicity of ancient world, as long as it does not intrude on pleasure, comfort

Human scale, light proportions, charm of Rococo

Same floor, wall, ceiling treatments as Rococo

  • Straight lines, geometric curves, classical motifs, details

Smaller, more intimate spaces

  • Salon & dining room separate

Lighter, cooler colors

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

23-4. Cabinet-doré, Royal Apartments, Palais de Versailles, c. 1770s-1780s; Versailles, France. Louis XV/Rococo.

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

23-7. Textile: Brocade; France. Louis XVI.

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

23-8. Lighting: Flambeau, candelabra, applique, France. Louis XVI.

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

FURNISHINGS AND DECORATIVE ARTS

Maintains Rococo’s light proportions, slender forms, human scale, comfort, some motifs

Straight lines, geometric curves, classical motifs

  • Circles, ovals, ellipses

Simple rectangles with ornament softening outlines

Articulation of parts in classical manner

  • Re-entrant corner with rosette in center

Late in period large areas of plain mahogany

  • New emphasis on simplicity

All Rococo types continue; new are tables based upon Pompeiian types

Practice of design furniture for specific spaces continues

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

23-10. Fauteuils showing various tapestry cover designs; c. late 18th century; France. Louis XVI

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

23-12. Canapé with tapestry cover. France. Louis XVI.

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

23-13. Table in bronze give by Marie Antoinette to Madam de Polignac; France. Louis XVI.

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

FRENCH PROVINCIAL: CONCEPTS & ARCHITECTURE

Provincial or rustique or régional—houses, interiors, furnishings of peasants & bourgeoisie in rural France

  • Reign of Louis XIII-French Empire

Inspired & influenced by court or high styles

Simpler, less refined in design, construction, decoration

Less dependent on rank & display, regional varieties

Architecture—medium sized mansions to one-room cottages

Function & tradition over style or design principles

Local stone, brick, wood, plaster

Roofs—thatch, tile, shingles

Grander homes follow prevailing styles

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

INTERIORS, FURNISHINGS & DEC. ARTS

Most interiors simply treated

  • Floors—dirt, stone, brick or wood
  • Walls—paneling, textile hangings, wallpaper, painted decoration
  • Rugs, curtains rare

Furniture adapts form, contours, ornamentation of court styles to regional needs & preferences

  • Comfort, convenience, economy over fashion, human scale, less ornament
  • Simple construction, carving main decoration, regional differences
  • Louis XV—adapts well to provincial so dominate style

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

23-16. Salle de ferme; d’Ille-et-Vilaine; France. French Provincial.

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

26-17. Bedroom of Elénore de Warns, Le Charmettes, Savoie; furniture from Louis XIII, Louis XV, and Louis XVI periods, and early 19th century; France. French Provincial.

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

23-18. Louis XVI-style chaises à capucines. French Provincial.

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

23-19. Louis XV Commode, c. 1780; France. French Provincial

Chapter 23: Louis XVI and French Provincial  26.*

©2011 Pearson EducationUpper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the PresentBuie Harwood, Bridget May, and Curt Sherman

23-21. Louis XV chair, buffet, panetière, and various utensils. French Provincial

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